Wednesday, September 25, 2013

Sit, Float, Play

The rock blinked, as rocks tend to do.

It was spring, technically. But it was so early spring that that the harsh winter wind was still whipping along the surface of the ground, beating against the purple stone and flowing around his two grey stripes. Today he decided to do what most stones do: watch. The world around it, not much more than a collection of hills, the occasional tree, and a string of far-off mountains, all seemed anxious today. They were under the spell of this wicked wind that hinted at a seductive new season which would breathe green life into the valley once again. Anticipation, the rock concluded, was in the air. Well, not just in the air, but it was actually the air.

The stone had no idea how long it had been where it was or where it came from, and at the moment had no particular desire to care. It’s not that it didn’t have the time to remember—it had plenty of that. The stone just knew he was where he was, which was in exactly the same predicament (or rather complete lack thereof) as everything else around him. There was so much to look at, so much to witness as the world simply churned onward in the relatively still valley. It didn’t really matter so much what happened—sometimes the winters were long, sometimes the springs were short, and sometimes life was just like all the other times. But one thing stayed the same, and that was that the rock watched and thought about the world. You could say that he took joy in the nature of nature and his nature. He was constantly tossing around observations across the surface of his mind. Ideas and thoughts rippling out, like what a person might do after picking up a smooth stone at a lake’s edge. Skip, skip, skip, making elegant ripples across the glassy reaches.

Before long it was summer, and with it came the heat. To the stone, this warmth made the world feel still, but in a very full and rich way. The rock shivered to think of the emptiness that the approaching winter would bring. There would be no grass or flowers in bloom to watch then. Just the wind, taking a joyride up and down the valley. It’s as if it didn’t even care for anything but its own amusement.

The heat, though, posed its own problem. Grass fires were over quickly, we’re temporarily uncomfortable, and watching a fire unfold was a mesmerizing display of destruction. But the stone feared for it’s closest neighbour, the tree, who surely must find such things absolutely terrifying.

The stone knew he had little to fear and that all things were temporary, but the tree was a much younger being living a much more delicate lifestyle. It depended on the rain and the wind and the warmth, any of which could pose a problem. The rock admired the tree’s staggering height and could only imagine what he could see from up there and the knowledge that awaited anyone of such stature. But more than anything, the purple stone was jealous of how the tree would waltz and dance with the wind. To have that sort of freedom would be truly incredible.

The rock blinked, and it was almost autumn. As if triggered by his own ponderings, the wind shifted, now with a faint hint of cool change on its warm breath. Along with it came the grey clouds, heavy with rain. The tree will love this, the stone knew. He watched as the downpour started far up the valley, and swept down as a large dark curtain that blurred out the background. The rain was warm, and the blustery moment, in its own very brief way, was most incredible.

But the wind and clouds had conspired to blow in much more than some late summer showers. There were brilliant strokes of lightning. Not warm and illuminating like the sun’s rays, but instantaneously there and gone. Like fractures in the sky, the lightning jabbed at the ground below. Nearer, nearer. Brighter, brighter. The rock watched many storms before, and was very well acquainted with these violent surges of light.

You can never become comfortable with the feeling of a close strike. It’s like an invisible force that drives down into the tiniest cells of your geology and simultaneously tries to push itself out. And this is precisely what the rock felt just happen.

Except that never before had this brought darkness with it. Suddenly, the stone couldn’t see a thing and he was fairly certain he was not blinking either. This was most peculiar indeed. The purple rock concluded that his dear neighbour, the tree, had been on the receiving end of this particular lightning strike, and it seems as though a branch had fallen on top of him, blocking out his entire view.

And as a creature who watches the world, he found this quite troubling.

---

The leaf found himself decidedly not hanging at the height he was accustomed to. One moment ago he was on the branch where he grew up and basking in the warm summer downpour. And while that’s where he still was, it seemed that with a sudden and bright ferocity the branch had taken a bit of a fall to the base of their large tree, resting on top of a rock.

The leaf found this all rather worrisome. He missed the days of seeing the world from higher up in the tree, and was apprehensive about what life would be like now. He wasn’t fond of being so close to the ground, and it could already feel that its usual flow of sustenance was tapering off.

For a few days the leaf could feel its stem weaken and whither, which brought on more new anxieties. And one evening, the leaf shuddered as a cool wind approached, plowing down the valley like a tidal wave. It coursed around him harder and harder, until he was ripped clean off his branch and thrust into the sky.

And as the night wore on, the leaf closed his eyes, not wanting to look as the wind beat and blew him around. On occasion he’d be set down on the ground just long to feel a sense of relief, before being whisked away again. It was like a cruel joke, and it didn’t take long to become desensitized to these pauses. He’d look around at his new surroundings yet refuse to feel at rest, as he knew he could be pulled skyward at any second. He worried about where he would go and where he would end up, not knowing what the wind had in store for him.

Eventually, though, the leaf learned to take great pleasure in flight. Sure, it was always unsettling that he wasn’t in control of his destinations or tumblings, but there was a pleasure to be had in soaring far above the landscape, and gliding on an invisible cushion of air. By this time, of course, his colours had long faded away from the once rich green to a pale yellow. He didn’t have much flexibility left, and was stuck with the same bent posture as he tumbled along the breeze. The most concerning thing was how his edges were starting to fray and chip away. Landings became particularly unpleasant, with flakes that would snap off with surprising ease and blow away on their own journey.

But he came to cherish this uncontrollable voyage, and he loved the journey for the journey’s sake. He saw mountains and gullies he had never known, and their magnificence was somehow amplified through his twisting in the air. He knew his form was imperfect and the time he had left was not infinite, but the beauty in the moment was undeniable. He wasn’t sure if either the future was coming towards him or if he was flying towards it, and he wasn’t sure what that end-point entailed and what would be waiting for him there. He didn’t know what other colours he might change to, or even if there were other colours he could change to. All there was for him was floating. And watching. And waiting for whatever for the next destination, wherever it may be.

And so it was that the sun rose and set many times over, and just before the next rise the wind seemed to taper off in the darkness. The leaf drifted downwards, but instead of coming to rest on a bed of grass or loose gravel he touched down on a wavy and flowing mirror that reflected the very sky he was borne from. And with two silent ripples the leaf was gently caught by a stream. The cool morning water was alien at first, and then oddly relaxing. And so the leaf sat perched on the surface of the water as it continued its journey downstream. The question of where it would lead to was rather disconcerting, but the leaf knew he would find out the answer either soon enough or eventually. So faded, cracked and brown, the leaf floated onwards.

---

It had been a long night. For all of the scritching and scratching and sniffing at the dirt, there was a surprising lack of ants to be found at this bend in the creek. Yesterday and the day before they had proved to be plentiful, but the hottest week of summer seemed to be burned into the armadillo’s memory, when there didn’t seem to be any ants at all. He got very hungry that week and looked everywhere for food. He even checked a little bit upstream and downstream from his den to no avail. It was a most trying time, and he vowed it’d never happen again. So every night, he scoured around the bend in the creek with renewed vigor. It was tiring work, but being well fed always is.

Being well hydrated, however, was pretty simple (and this is why he was so happy with his burrow near the bend in the creek). It bothered him that there wasn’t much food to be found, but decided to at least alleviate his thirst. He scampered through the grass, and paused briefly before hopping down the short embankment of soft soil that led to the stream of water, where he walked in up to his front paws and drank. It probably tasted good, but the critter was preoccupied.

He was in the middle of realizing that it was nowhere near as hot as the hottest week of summer and that he should be able to find ants (even though he was having problems finding ants), when an unanticipated movement caught his intention. He jerked and almost curled up in reflex. He’d never been surprised here before, so he concluded that whatever it was probably couldn’t be good. He focused his blurry eyes to find that it was just a rather weathered-looking leaf floating downstream. He knew that had it been a Bad Thing, that Bad Thing would have certainly been close enough to do something Bad before he would’ve noticed. He made a resolution to be more careful in the future as he unfurled himself to saunter back to the safety of his burrow.

A trip back to his nest was not far, technically, but he’d have to walk on the ground the entire distance between where he was and where he wanted to be. Ground that, perhaps, was home to a certain six-legged and oh-so-delicious snacks. As tired as he was after his long night, his nose was inevitably pulled to the ground as he started sniffing his way back. He’d pause and dig and pause and dig, but only be occasionally rewarded for his expert meandering skills. But he knew he had to get whatever food he could, lest he find there was nothing left to be got.

He was practically on the doorstep of his hole in the ground (a 'holestep', if you will), when he looked up from yet another uninspiring patch of dirt, jumped in the air, and landed wrapped up in a tidy ball. It was quite an impressive feat to witness, as the quietly sitting fox could attest to.

A moment passed. The armadillo wondered what it was, exactly, that he saw. In a moment of self-evaluation, he was pretty sure that he was no longer at the creek and so it most likely was not a floating leaf that was watching him on his search for a meal. Confused by the stillness, the armadillo unfurled ever-so-slightly to peer out at the red and white furry creature. And in exact correspondence to the amount the critter unfurled, the fox seemed to tilt its head to the right in curiosity. The armadillo balled up again after noticing he was still indeed being watched by the sitting animal. He thought the fox looked confused. The armadillo decided it was rather confused, too. Was the fox confused at his own confusion, perhaps? What was going on?

The armadillo was still in his ball, trying to sort out what was going on when he heard the fox draw near and start sniffing. This was how armadillos like himself found ants… While he was pretty sure that he wasn’t, in fact, a delicious ant, he began to wonder if he was food for this creature.

He balled up tighter.

Nothing happened.

He stayed balled up.

More nothing happened.

The armadillo’s mind wandered to his burrow, knowing it was close by. He slowly opened up again, to find a smiling fox expectantly standing before him. As soon as they made eye contact, the fox lowered his head to the ground, leaving his tail wagging in the air. The fox chirped and hopped to the left, all the while watching the armadillo.

He finished unfurling and watched as the fox hopped around twice more, never turning away. At one point, it hopped forward and nudged the armadillo with its nose, causing the armoured creature to flinch and hop backwards. Figuring that any momentum is good momentum, he scuttled away into his burrow as fast as his tiny feet would take him.

He reached the deepest, farthest-back spot of his shallow hole and waited. The fox peered in, and once again they locked eyes. But instead of a toothy snarl, he saw a rather goofy looking grin. He noted how terrible that tongue must be for slurping up ants. But the fox just waited with its grin, and barked again. It backed up a few paces, and sat down so that it could barely maintain eye contact. It’s head tilted to the left and let out another yip.

The armadillo figured that he was well within reach of the foxe’s impressively long arms and that while home may be comforting, it isn’t that comforting when you have unexpected guests that can barge in at any moment with their many teeth. If the red animal was hungry, he wouldn’t have waited this long. And if it was truly as goofy as the armadillo expected, it would have gotten bored and left by now.

So he gathered up his courage and his leathery armour (which was always on his back anyways), he slowly started to climb out to greet the stranger. On his way out, he remembered times when he found ants to eat. Those were good times. He missed those times.

The fox yipped with joy and danced around at the sight of the decidedly un-balled armadillo. It nudged him with its nose and wagged its bushy tail. And with that, they spontaneously started cashing around each other. The fox would dart one way, and the armadillo would scuttle after. As the creek babbled on and the grass swayed, the two hopped back and forth in the orange light of dawn. But when the armadillo realized he’d now wandered farther away from his den than ever before (which was not that far), he paused and peered homeward. The fox gave an inviting yip, motioning in the opposite direction.

Once, some time ago, the armadillo found a colony of ants nested in a log near the bend in the creek. And oddly enough, chasing after this red, fuzzy interloper seemed to be much more exciting and fun than that discovery. And even though it was far past his bedtime, he concluded that new burrows could be dug wherever he went. With that, he set off after his new companion, not quite sure where he was going or what to expect. But it’d probably be exciting. And maybe there would be a few ants along the way, too.


Wednesday, September 04, 2013

First Impressions and Depressions

Yesterday:
Started off with Visual Literacy, which is kinda lecture-based, with take-home projects every week. It's about breaking a literal/linear thinking style, and thinking more creatively. It's something I know I need - his description of the course and saying what it's for really struck a chord with me and all the creative issues I've been having for... A long time.

The next class I had was called "Design for Good", which is a bunch of projects, some for social change/improvement, and some for non-profit organizations. The prof seemed like a really nice woman, and said a big focus was on what is actually perceived from your work, versus what you intend to be perceived. Seemed kinda okay, and I can appreciate the desire to do something positive with your skills... But at this point I'm really craving career prospects, so I think I might ditch this one. It doesn't seem as helpful for my portfolio. The assignment for next week is to do a presentation that doesn't use any words to communicate 10 things we want to see more of in the world, and 10 things we want less of. Meh...

After that, I had a class for Cinema 4D, which is like... 3D After Effects/animation. I wasn't a fan of the prof's work too much. He seems like a cool guy and has lots of big clients, but I just see small/niggly things in his work that makes me feel like he isn't quite a total pro. And his work is just a lot of shiny animation stuff for broadcast channels and commercials, which didn't interest me too much. But nevertheless, I'm excited to learn the program, and really looking forward to the course.
Last class I had was for Information Graphics. The prof is a HUGE designer for Conde Nast (a big magazine publication house), with a good sense of humour, an awesome portfolio, and a true love for his field of information design. The difference between him and the illustration prof I had for the ACAD equivalent is night and day. I'm really excited to see how the course unfolds.

This morning:
This morning I had a "portfolio" class. It's basically a two-semester class to create miscellaneous projects to round out your body of work with personal-ish projects and prepare an actual portfolio. I'm really excited for this last part, because I feel like ACAD gave me NOTHING in that regard. This particular class is taught by two people, an older Russian lady and a younger American dude, and focuses on finding your personality and core values, and incorporating motion with print. We did an exercise where we answered ~30 personal questions on small sticky notes, and put them up on a wall. I now need to take all those miscellaneous answers and try to map them out in a way that makes sense of them all. It's kinda weird... Way more touchy-feely than I'm used to.

I have another portfolio class tonight with Paula Scher, a famous designer at Pentagram. The thing is, she needs to evaluate my portfolio to decide whether or not I can be a part of the class... So I might not get in. If that's the case, I'll stick with the previous case. If I do get in, I'll probably go with this one just because of who I'll be learning under. But we'll see how it goes.

This evening:
I didn't make the cut with Ms. Scher. It was incredibly nerve-wracking and simultaneously exhilarating. I mean, I got to sit in Pentagram while she looked at portfolios of the some 30 students that showed up to attend a class that could only accommodate 18. And I sat there, anxious as all hell, hoping I'd get in and wondering what it'd be like to study under her for two semesters. What my portfolio would look like. What I'd be able to tell people when interviewing. Then we were told to come collect our portfolios, and mine was in the pile that meant "you can go home".

Which caused a bunch of ugly beasts to rear their ugly heads. Again, I find myself smacking into the wall of my competitive nature. This time, though, it came with a little bit of new clarity as to why I don't like that part of myself. I realized that the high I get from doing well or "winning" in a competitive situation is pretty mild and short lived. The low I get from failing, meanwhile, is pretty devastating and lasts a while. For a time this summer, I found myself wondering how silly it may have been for me to not know my grades. And I think this reinforces my decision to not know. There's more value in me just being happy with my work for what I've produced, rather than looking at a number that either makes me mildly/temporarily satisfied or incredibly frustrated with myself.

Similarly, I find myself wondering... What the hell am I doing here? I'm not just not one of the better in the class... I'm in the lowest third of the students that attended. I mean, damn. I know I'm not the bottom of all students in the whole school, but I guess I thought that, maybe, the scholarship meant I was of a certain skill level that I'd at least be in decent standing among the students at SVA. I mean, hell, in theory I've had a year more of education then anyone else there, right?

I mean, why the hell did my prof from ACAD send me here in the first place? Is it some sort of cruel joke? Why would he send me if I'm so obviously out of my depth? I feel so clueless. It kinda illuminates this twisted idea that I got the scholarship because I'm so far from being at a professional level that I need another year of school yet before maybe I'll be ready.

Sigh, now that last paragraph was a pretty angry knee-jerk, self-destructive reaction to wondering what's going on and what I'm doing here in the first place. I know that the prof that got me this scholarship went out of his way to do so, and essentially asked for a personal/professional favour to get it for me. And I know he really cares about his students, and he wouldn't have done all this if it wasn't going to be worth while.

But... Why me? Why am I here? He told me that SVA is looking for students "of a certain profile" for this scholarship. What profile is that?

I feel like there's so much pressure to do well, and I want to do well, but I'm completely out of my depth, and maybe I've tricked people into thinking I'm capable of more than I actually am.

What am I doing here?

Regardless of the answer to that question, the fact of the matter is that I am indeed here. In New York. Going to a prestigious school. Taking a bunch of cool courses with a bunch of awesome professors. That seems to strip me of any right to whine or complain about any circumstance.

But it doesn't seem to strip me of my quandary.
-Cril

Escala feat. Slash - Kashmir

Monday, September 02, 2013

The Smells That Filled the Air

New Yorkers. Various surveys and general conceptions about these people is that they're super rude. And, well, they aren't. But I will say that there's a lack of warmth. Everything is to-the-point, boiled down. The absolute bare necessity of what's required for any given transaction. I've run into this several times over the last week as I try to sort out various school things, from everything regarding paperwork to asking for advice. It shocked me at first, but I'm slowly adapting to how there isn't a smile or hint of sympathy or desire to make make small talk. Being a mega introvert, I'm not a big fan of the small talks either, but I guess growing up where I did I came to expect it as a part of everyday life. Just trying to make a little joke here, or ask someone how they're doing, or trying to make any kind of human connection to make the interaction seem more than input/output between to fleshy robots.

So when I went to an academic adviser, stating my plea of being new at the school and jumping right into senior-level classes and not sure what to expect, I was greeted with... A series of rapid-fire questions aimed to quickly ascertain what I was doing in that office. Did I get the course recommendations from the department head? Yes. Did I have them processed, so I'm registered for class? Yes. Did you have an issue with registration, you ARE in the right classes, right? Yes. I proceeded to ask a few questions about how classes are usually run, what I can expect, etc. I was coldly informed to ask my professors or fellow students.

It was kind of tough - on a most basic level, all I was looking for was some sort of assurance or comfort. Maybe even *gasp* some sympathy for my position. But instead I got none of that. Query in, answer out. Not a smile or personal connection to be had anywhere inbetween.

Not rude. Just... Cold. I don't think it's strictly a Canadian thing, either, because that couple of other locations in the western United States that I've visited seemed a bit more friendly. It's just... Different, is all. It's just that this city has a different pulse than what I'm used to. But quite frankly, I kinda hope that I don't adapt. I like it when people try to create some kind of connection, no matter how small, to those they interact with. It makes the world seem like a slightly more welcoming place, as if we're all on the same side.

It shows on the street, too. People are a lot more likely to bump into eachother, ignoring "personal space". Mind you, this is pretty understandable in a city that's so crammed full of people that mostly shove themselves onto subway cars at the same time each day to make it to or from work. It's cozy, people.

And then there's the opposite end of things. When I was staying up in Harlem, I was really blown away by the social culture there. People, everyone, just hanging out in the streets. Talking, arguing, discussing as if there wasn't anyone else around. Seemed like the average volume of human interaction was twice as loud as what I'm used to. I was really blown away by the people having really heated fights in the middle of a crosswalk, talking smack to eachother. There's such a thing as "airing your dirty laundry", and then there's "a live broadcast of your dirty laundry on national television". It's pretty mind-boggling.

Ok, let's hold up for a second here. Noticed how I was oh-so-subtly talking about the "people of Harlem"? I'm talking about the black community of Harlem. There's a saying I heard recently that went "If you have to say "I'm not trying to be racisct", that means you're being racist." I'm not going to put in some sort of disclaimer, this are just my observations. The black population of Harlem were very different from the other cultures I've seen in areas of Manhatten and Brooklyn. Not better, or worse. I'd like to think that I'd treat them all the same regardless. But make no mistake, I'm talking about black people. As a Caucasian, am I allowed to do that? Or should I sheepishly skirt around mentioning specific skin tones in relation to the cultural differences I happen to witness? I mean, it's not like I'm even saying ALL BLACK PEOPLE ARE LIKE THIS, WITH NO EXCEPTIONS! I'm talking about an overall impression that I got from seeing the people in a particular neighbourhood. Hopefully this doesn't make me too terrible of a person. Anyways, where was I?

There are the accents, the grammar, the euphemisms that are associated with urban black culture. Back home if you were to start talking in this rapper-esque-slang, people would roll their eyes and maybe even chuckle. And I mean, yeah, of course, you know that people actually behave this way. The same as how a Frenchmen speaking English will sound, or how people from the deep south might call you "honey" or "darlin'". Of course it's an actual behaviour, where else where we would we get those stereotypical tendencies that we parody?

Yet seeing it in person... Made me realize how utterly sheltered I was in a way. To witness those actions not as an attempt at cliche humour but as an authentic, sincere means of communication was a bit of a wake-up call. "I know people actually did this, but... People actually do this!" It was a weird realization to have, to see something like that removed from the context of parody. Makes me realize how removed we can be from reality, and how, like it or not, your every day life is likely a parody to someone else. How the way you talk and walk and act can be turned into a lame joke for someone else's amusement, regardless of your own intent. It's pretty wild.

Seeing the way the black population of Harlem acted was really a serendipitous lens for me to peer through to see my own native culture. I realized how private and quiet me and my fellow Canadians are. How... kinda bland and passionless we are in everyday life. We're a nation of borderline prudes, hiding away in our picturesque houses with lawns and driveways that are all elements of personal boundary to space ourselves from our neighbours.

"Neighbours"? After living here for two weeks, it kind of makes me realize how little of that word we really comprehend. Back home, it's like we all live our lives so that we can box it up and tuck it away, so that it doesn't make a mess and spill over into anyone else's box. And here, people live shoulder-to-shoulder and aren't concerned with keeping their life neat and tidy and out of view. They're concerned with their lives, and living it without the boundaries that come along with being constantly surrounded by other people.

It's kind of a beautiful thing to see. Loud to hear, but beautiful to see. I'm not sure if I want to live in a place of such volume for the rest of my days, but I can't deny the heart-on-sleeve passion that that way of living is done with.

Look at me. Formally analyzing and privately writing about other cultures as if I'm trying to make sense of it. I'm such a polite little Canadian.
-Cril

We fell asleep and began to dream
When something broke the night
Memories stirred inside of us

The struggle and the fight
And we could feel the heat of a thousand voices

Telling us which way to go
And we cried out is there no escape

From the words that plague us so

And we were drawn to the rhythm
Drawn to the rhythm of the sea
And we were drawn to the rhythm
Drawn to the rhythm of the sea


Sarah McLachlan - Drawn to the Rhythm